Is the Arroyo guy which you fist fight with, same one that you trade drugs in
at the motel in Panam's quest line? I killed him prior to this mission btw
Pretty fucking convenient how everyone ends up within 5m that spot in the landfill that V ended up in. Also I thought he was in London when he got fired. Will have to skim the 4th Corporate War books again. Although they retconned loads of other shit, so I guess it doesn't matter.
The firestorm or fireblaze campaign at least the Arasaka nuking resoluton is officially non canon. Because of CP77.
sar·casm | \ ˈsär-ˌka-zəm \
1: a sharp and often satirical or ironic utterance designed to cut or give pain
2a: a mode of satirical wit depending for its effect on bitter, caustic, and often ironic language that is usually directed against an individual
b: the use or language of sarcasm
Sometimes the process doesn't "exit" properly when you quit the game. It will close the window, but the process will run. If you try to patch the game it won't be able to since handles still exist in the OS for the files.
Sometimes the process doesn't "exit" properly when you quit the game. It will close the window, but the process will run. If you try to patch the game it won't be able to since handles still exist in the OS for the files.
when there is no more room in hell, the D34D will walk the earth
One thing that really bugs me is how zoomed the mini map is, so many moments in which I'm flying through 200 mph, just to see in the last second that I need to take a sharp left turn
Oh I remember THIS motherfucker.
During the whole 5 min cutscene, he kept eyeing me, trying to hide behind that burger couldn't stop laughing at how bad it was. Other NPCs in the joint were also staring at you for no reasons, especially some lady at the bar.
"Music washes away from the soul the dust of everyday life." ~Berthold Auerbach
They were staring because you were talking to yourself as far as they were concerned. I thought it was a neat little detail, but ok...
I see people talking to themselves in the metro, in the street, wherever. Neither do the people around nor I stop functioning and stare at the guy for 5 minutes, as would like medieval people watching a guy flying away with a jetpack.
No, it's just down to retarded design
"Music washes away from the soul the dust of everyday life." ~Berthold Auerbach
Is the Arroyo guy which you fist fight with, same one that you trade drugs in
at the motel in Panam's quest line? I killed him prior to this mission btw
No achievement, just a cool easter egg.
Also:
Spoiler:
It’s not the same guy, the guy Panam was dealing with was called Nash and he was part of the wraiths
I bet that, in a way, in it's own (sick part of the) mind, Sapkowski must be ecstatic while seeing how Cyberpunk is being thrashed. The Witcher lore (with books already having created the story, setting, characters) has weighted SO MUCH in the quality of the games.
I was expecting to see in this game something more darker, in the likes of Blade Runner, Ghost in the Shell, City of Lost Children and maybe even Dark City or Dredd (Karl Urban version).
Is the story really memorable and interlinked harmoniously with the way the world is painted? Do the two reflect each other?
I recommend a good watch for cyberpunk / Blade Runner fans here:
On the sidenote. I haven't played the original pnp mostly because I was Warhammer boyo but after watching countless cyberpunk anime and 80s/90s schlocks in this theme and played other games in this genre I have to say it's the lightest cyberpunk game I have played. I know that it's pretty much in vein of the pnp rpg setting which was pretty much dead in the early 2000's and what Gibson and Sterling envisioned but still.
It's just evol corpos and some implants plus mandatory dystopia. But also I blame CDPR because of almost zero netrunning and boring as fuck implants and other ideas that fell flat like cyberpsychos - but that's my opinion.
sar·casm | \ ˈsär-ˌka-zəm \
1: a sharp and often satirical or ironic utterance designed to cut or give pain
2a: a mode of satirical wit depending for its effect on bitter, caustic, and often ironic language that is usually directed against an individual
b: the use or language of sarcasm
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