Saw this yesterday in imax. It was not worth it though.
A lot of the cgi did just not work.
Took itself way to seriously.
Was all over the place with the story.
WAY too long 2h30m.
Saw this yesterday in imax. It was not worth it though.
A lot of the cgi did just not work.
Took itself way to seriously.
Was all over the place with the story.
WAY to long 2h30m.
Did you like the last movie?
shitloads of new stuff in my pc. Cant keep track of it all.
“I’ve shot in Australia in a field of wild flowers and flat red earth when it rained heavily forever. We had to wait 18 months and every return to the US was 27 hours. Those ‘Mad Maxes’ take forever. I won’t do those anymore.”
- How can we possibly make people less interested in a new Mad Max movie?
- I know... let's not make it about Max at all, let's put in some chick that no one really cares about, that should do the trick!
- Hurray! we will absolutely make less money now!
- Yes, i think we even might be in for a flop!
yes, that's what i said, they're almost aiming for that and this one is a flop it seems like.
Now imagine an actual Mad Max movie. Everyone understands that it would do a lot better, even these retards. It'd do just as well as for example the new Top Gun, and they 100% know this. It's not like they're somehow unaware of how starved people are of good 90's-like action and where the protagonist is someone fans are familiar with. I bet many would've loved to see old mad max (Mel) or just Tom Hardy. Guaranteed success, but no, let's not do that.
I'll articulate why, but I thought Fury Road sucked and I'm not really interested in this one. My main issue (and this is most blockbusters that only serve up vIsUaLs) is just that. The plot is thin to the point of non-existent, a water truck was stolen, they drive, the end. The Max and female lead aren't characters, just actors yelling and performing action set pieces. Visual effects alone for me are really boring, I can't sit through modern movies like this.
You could criticize the earlier films a lot for the plot and characters too. This is different though because in that era successfully showcasing a story in a post-apocalyptic wasteland without todays visual effects was something special we wouldn't see very often if at all which makes it a spectacle for it's time.
Mel Gibson also still had more of a character than the characters in the new film/s. From memory and it's been a long time since I watched them, he didn't care about the people he met, just survival. Throughout the movie he gripes with his humanity and ends up helping the people he meets, it's pretty weak but something. The first movie in particular and somewhat the second are also uniquely Australian that hit it big which was rare.
sar·casm | \ ˈsär-ˌka-zəm \
1: a sharp and often satirical or ironic utterance designed to cut or give pain
2a: a mode of satirical wit depending for its effect on bitter, caustic, and often ironic language that is usually directed against an individual
b: the use or language of sarcasm
Yawn this retard again. She was no more girlbossy than in Fury Road. There was even a bad-ass MadMax-like character that taught here almost everything she knew.
Right now I presume Critical Drinker and his company fuck each other because fucking a woman would be too woke.
sar·casm | \ ˈsär-ˌka-zəm \
1: a sharp and often satirical or ironic utterance designed to cut or give pain
2a: a mode of satirical wit depending for its effect on bitter, caustic, and often ironic language that is usually directed against an individual
b: the use or language of sarcasm
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